RERO

The Völklingen Ironworks flooded in red light
Copyright: Weltkulturerbe Völklinger Hütte | Oliver Dietze

RERO portrait HANGAR 107 2018 NICOLAS COUTURIEUX

RERO portrait HANGAR 107 2018 NICOLAS COUTURIEUX
Copyright: NICOLAS COUTURIEUX

Born in 1983 in Beaune, France
LIves and works in Paris und Rio de Janeiro

Websites: Instagram @rerostudio
               http://www.rero-studio.com 

Exhibitions

Works

HELL-O-WORLD

Rero Hell O World Oliver Dietze

Rero Hell O World Oliver Dietze
Copyright: Weltkulturerbe Völklinger Hütte / Oliver Dietze

Date

2022, in situ

Dimensions

7,5 x 125 m

Material

Acrylic, steel

Description

The work of the French artist Rero is an amalgamation of urban art and conceptual art. With his always-the-same and lined-through unembellished font, he has developed a distinctive logoistic style. In this, he agitates closer, conceptually, to the "Everybody's got their own arrow" of the scriptural than to the orthodoxy of conceptual art. Then again, with the latter he is wed through his focus on word and thought games, or, as he himself says, with: "Punchlines and aphorisms, the betrayal of images, fragments of contradictions of our time, and the fascinatingly rich radiance of contemporary, transgressive poetry." With HELL-O-WORLD, the artist makes reference to the "hellish" work that was once conducted at the Völklingen Ironworks as well as to the world situation in 2022. The piece becomes even more ambivalent in view of the corporate identity claim of the World Cultural Heritage Site Völklingen Ironworks to the phrase "Hello World"—which, however, was unknown to the artist during conceptualization.